Yes, it may seem like crazy talk, but we’re sure some desktop users liked the full screen app-launcher in Windows 8. Miss the Start Screen from Windows 8? Bring it back ![]() You can also pick and choose what you want to appear on your taskbar by right-clicking on it while you’re in tablet mode. If you want to switch apps, you have to use task view, Alt+Tab or open them manually.īy removing the non-essentials, it works as a great distraction-free working mode OS X Lion introduced a full screen mode for much the same reason. Use tablet mode even if you don’t have a touchscreenĪside from a full screen Start Menu, tablet mode makes all apps default to being maximized, removes your taskbar icons, and only leaves essential notification tray items. You can also click on any letter to navigate to apps starting with another letter quickly. There’s also a neat little shortcut for accessing all your apps more easily drag upwards on the left side of the menu with either your mouse or your finger and the full list of apps will appear. You can now drag the edges of the menu around to resize it to your heart’s content. Their subtle differences atop a similar West Coast foundation have made them a good pair to help carry on the Stinc Team name.The classic Start Menu is back and better than ever, mixing the best of Windows 7 and Windows 8 with some new tricks up its sleeve too. Meanwhile, BluePesos is a direct descendant of Drakeo, with a raspy voice and knack for taking such short breaths between his punchlines that they feel like run-on sentences. Duffy is the smoother of the two: His flow has a conversational bent that might bring to mind Detroit’s World Tour Mafia collective, but punched-up with the frequent pace shifts associated with his local scene. On “Adios,” they spar over a laid-back beat that matches their casualness. As members of the Stinc Team, they use their hushed, emotionless deliveries to relentlessly talk shit. The song belongs to Duffy and BluePesos, who are OTM, the South Central L.A. One of Drakeo the Ruler’s last great verses is his guest appearance on the remix of “ Cliffhanger,” where he rips through the beat as nimbly as a defensive lineman. Then, somehow, he scooped up a major role in Larry Cohen’s Original Gangstas, an underwhelming 1996 blaxploitation homage that is loaded with starpower-Fred Williamson, Pam Grier, Jim Brown-but is carried by Dru’s character, Kayo with the yayo, an over-the-top and ruthless gangster’s henchman. He’s got a memorable opening verse on Luniz’s immortal “ I Got 5 On It (Remix)” he laid down one of the great rap songs about pimping with the hit “ Pimp of the Year” he rocked one of the signature perms of the era his 1996 album Can You Feel Me still goes. In the 1990s, Dru Down left a permanent stamp on Bay Area rap. Throwback rapper movie corner: Dru Down in 1996’s Original Gangstas “Atlanta rap is so much fun, you can never be bored,” says Bear with a beaming smile on his face. In the meantime he’s working on a few things that pay homage to his hometown roots: a tape with plugg pioneer Mexikodro, a possible EP with Key!, and an emerging musical relationship with his longtime guiding light Skooly. He says there won’t be another solo album for the rest of the year, but given his productivity I’ll have to see it to believe it. He plans to do something with Bear1Boss that he hasn’t before: Let it breathe. These tapes are sprinkled with misfires and sketches that don’t completely come together, but when it clicks it’s euphoric. ![]() On 2021’s Super Fancy 2, the beats are as hyper as a sugar rush, and he taps his friend DJ Mainodaplug to talk shit up and down the tracklist on America’s Sweetheart 2, he plays with faster tempos and warped flows. ![]() ![]() After America’s Sweetheart, each subsequent tape only upped the experimentation. Bear’s vocals are submerged in Chipmunk’d pitch changes and stuttering effects-but when we hear them without any effects, they’re extremely soulful. Mixing together the more spaced-out side of Atlanta with the short attention span of an artist who grew up heavily on the internet, Bear jumps from sound to sound, from flow to flow, from effect to effect. Made with producers like Ziti, Tylur Ocean, and Popstar Benny-whose fingerprints would soon be all over Bear’s sound-his mixtape America’s Sweetheart is really some other shit. This content can also be viewed on the site it originates from.īear1Boss found his sweet spot in 2020.
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